Cor Unum Ensemble | Past Concerts

Past Concerts

Explore our past concerts & season highlights below.

2016-17

2017-18

2018-19

Season 2018/19

Merry & Bright
Saturday Dec 8 2018 7:30pm
Sunday Dec 9 2018 7:30pm
Trinity College Chapel

Warm up your weekend with cozy baroque chamber music classics by Toronto's new generation of early music artists. Like the Florentine Camerata, Cor Unum Ensemble meets to reimagine and rethink music from the 17th and 18th centuries. We invite you to join us for an intimate evening with highlights of music by our most beloved baroque composers performed among friends.

Sub rosa

Collaboration with Sub Rosa Ensemble

Saturday Jan 26 2019 7:30pm
Sunday Jan 27 2019 7:30pm
Trinity College Chapel

This concert is the first collaboration between CUE and Sub Rosa Ensemble. By combining women’s voices from Sub Rosa with strings, continuo, and men’s voices from Cor Unum, we’ll explore 16th- and 17th-century repertoire written for and by nuns - often the most highly trained and renowned musicians in their city, and yet never spoken about in music history classes. Convent polyphony was common, but controversial on account of its sensuality, and only a few nuns dared to publish music for instruments. Nevertheless these women often used their popularity, and the secrecy of the screens behind which they performed, to break the rules - sometimes even singing with men. We are delighted to share this unusual and beguiling repertoire which treads the uneasy boundary between sacred and secular beauty.

Sub Rosa Ensemble is dedicated to the long-neglected repertoire composed by women of the 16th and 17th centuries, especially the surviving work of cloistered nuns. These nuns used singing and composition to communicate their identity and their devotion beyond the convent walls, developing their social and financial independence. The power of their music caused them to become both controversial and alluring to the outside world - in fact it was illegal in many Italian cities. We explore the challenges of equal-voice polyphony and aim to shed light on the important (though often invisible) role played by women in music history. Our name is tied to the traditional reference to secret meetings as 'under the rose,' not unlike the secluded music of these women whose lives remain largely inaccessible to scholarship.